I remember Laura holding up newborn Nathanial Pietro Barton. I remember Aunt Nat playing with Lila and Cooper. What I remember is the endless debate over which one of them – other than Thor – is worthy of wielding Mjolnir. They were Stark’s party and the Avengers’ retreat to Barton’s home: a bunch of otherworldly heroes sitting back with a beer and talking.
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This is why the best scenes of the movie aren’t the Hulk duking it out with the Hulkbuster nor the obvious stakes-raising Battle of Sokovia. The action, although a bit of a step down from 2012, was every bit as exciting as it wanted to be.Īs with “The Avengers,” the focus was always on the characters’ interactions with one another. The plot was as nuanced as a blockbusting cross-over based on a comic book needed to be.
I’m just saying that it worked, and worked exceptionally well. I’m not even saying that the action was as good the second time around.Īge of Ultron was a comparatively far cry from being the movie that The Avengers was and at least another comprehensive rewrite away from being the movie that it wanted to be. Now I’m not saying that there weren’t a few well-deserved groans when Ultron starts using the scepter to mind-control scientists into making him some absurdly far-fetched piece of technology in a scene lifted straight from the first movie nor that the darker version of the character that they were advertising wasn’t inherently more interesting than the one that we ended up with. The strange thing is, though, that this weirdly specific formula works nearly as well the second time around. A psychotic villain with daddy issues uses the Scepter and a vast, technologically advanced army to publicly destroy the Avengers and take over the world.
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Obsessed with creating “peace in our time,” Ultron envisions a world free from pain, suffering, war, famine and disease: in short, a world where every human is long since dead and buried.įor all of its bells and whistles, “Age of Ultron” is basically a massively entertaining retread of “The Avengers.” While it further develops Stark’s post-New York paranoia, Cap’s moral line in the sand, Banner’s Hulk-inspired angst, Thor’s acclamation to life on Earth and Romanov’s and Barton’s nuanced relationship, it’s still basically the same movie that we got in 2012. Ultron destroys Jarvis, steals the scepter and escapes into the internet, using Hydra’s abandoned bases to construct legions of bodies for himself. They envision “a suit of armor around the world” that will be able to fend off extraterrestrial threats while they focus on terrestrial ones or, God forbid, are allowed to hang up the cape and retire.īut in meddling with a power that they cannot begin to comprehend, they create a monster. When The Avengers reclaim Loki’s Scepter from Hydra, Tony Stark and Bruce Banner finally have what they need to create Ultron: an artificially intelligent, global peacekeeping initiative.
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